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Design, sales, and installation of commercial sound systems, theatrical and intelligent lighting systems, video projection systems, and multimedia boardroom and conference room systems.

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Visionary speakers appear for standing-room-only panel discussions, presentations and main stage speaking events.
Stage Technology manufactures heavy duty extension cables, two-fers, three-fers and quad boxes to your specifications using stage pin, twistlock of edison plugs - or we can supply everything you need to make your own. Choosing a dimmer system is a complex process. As a distributor for many brands of dimmers and controllers, we are able to evaluate your needs and work with you to select equipment that fits your purpose. In this process, we take into account your immediate requirements, long term goals and, of course, budgetary concerns. First we listen. Then we proceed. If you know very little about the equipment, we can work with you. If you are an expert, we can work with you.
Intelligent Lights, or Moving Lights, contain some method of animating the beam of light on 'X' and 'Y' axis accomplished by either a moving mirror or moving yoke. They also allow the color and beam definition to be altered electronically and operate under USITT DMX512 control protocol. Moving Lights can be operated by any theatrical console utilizing the standard DMX512 protocol. In this category, you will find Intelligent lights by Martin, High End, Technilux and others.
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The engineer should be mixing the house so that it sounds right no matter what the band is doing (within reason, of course). He should also understand what changes need to be made in the monitor mix when, for instance, the acoustic guitar player who's just played finger style picks up his bagpipes and puts them in front of his guitar mic. This is why you have (in order of effectiveness) rehearsals with a sound system and engineer, a sound check before the show, a set list with cues where changes to the mix will be required, and an engineer who's paying attention. When something is blasting out in the mix, the engineer shouldn't need to be told by a musician on stage to turn it down.

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